O’Void no.1
sculpture | assemblage
2020
sculpture | assemblage
2020
Lucio Fontana’s premise: obliterate the canvas frame, break with 500 years of pictorial space. The void becomes as integral as the picture frame. But what happens when the canvas happens to be a roll-up gate? An urban artifact is transfigured, edges articulated, and an ovoid gesture emerges. The steel roll-up canvas is now a transposed urban artifact yielding explosive spatial possibility. Fontana’s legacy continues.
